Silvia Rosi is a Togolese Italian artist, currently based between London and Lomé. Her practice combines photography and moving images to explore memory and self-representation. Drawing inspiration from traditional studio portraits from her Togolese family albums, her work reimagines personal and collective histories. Through carefully staged self-portraits, she constructs a visual narrative that blurs the boundaries between past and present, often drawing inspiration from oral histories.

Igor Moritz (Born in Poland, based in London) never shies away from the sentimental. His work depicts humans in all their relations: in relation to themselves, others and the world. Moritz attended an arts high school in Poland and studied industrial design in college, but as a visual artist he is self taught - and he developed his visual art practice on his own terms. Moritz has exhibited in London, Paris, New York, and Mallorca.

Paris-based Raffi Kaiser was one of our first residents, over 20 years ago. Raffi has been drawing nature from memory for the last four decades - nature he has wandered through himself. Having spent time in the vastness of the Israeli deserts on his journeys, climbing the monumental mountain ranges of China, and having looked into the abyss of a crater in Japan, he is very aware of being a tiny part of nature. All his drawings are based on this realization and his work arises out of an existential search for understanding the individual human's role in the larger scheme of things.

Charlotte von Poehl has built her oeuvre on the principle of repetition and seriality. Born in Sweden, she is a graduate of Goldsmiths College, London and is currently based in Paris, France. Initiated in 2011, her constantly growing Harlequin Drawings series now features some 250 watercolors, all constructed on the basis of a rigorous five-color grid - with light blue being the sole recurring color in each composition.

John von Bergen depends on a range of materials as well as a long list of crafting techniques to create sculptures and site-specific installations. In his work, familiar objects from the world are hidden inside abstract shapes, morphed into other forms, or re-fabricated through synthetic systems. He sees them as absurd relationships between objects reacting to their environments. All of his projects attempt to question the impossibility of a single universal objective perspective, while considering the found object as a seed for playful re-invention.