1928–1971
1928–1971
Various Writings
Description
Folder
- Translations of JA writings by F.C. Huffner (includes letter from Huffner)
Dates
1970, undatedBox
78
Folder
7–10
- [a-b] typescript photocopy
Dates
undatedBox
79
Folder
1
- “About Teaching Art,” typescript carbons with handwritten corrections
and notes (contribution to book, Art Appreciation Committee)Dates
circa 1945Box
79
Folder
2
- “Abstract-Presentational-Presentative,” typescript carbons and reprints
from 1946 American Abstract Artist, with handwritten notesDates
1946Box
79
Folder
3
- [Achtung!], handwritten
Dates
1935Box
79
Folder
4
- “Josef Albers,” from Nueva Vision (Buenos Aires) No. 8, clippings
(with article on JA)Dates
1955Box
79
Folder
5
- “Alle-Gemein,” handwritten. Dated “Santiago VI.18.53”
Dates
1953Box
79
Folder
6
- [Alle guten Dinge], handwritten
Dates
circa 1940Box
79
Folder
7
- [Am Charles River], handwritten
Dates
1941Box
79
Folder
8
- “Anfang ohne Ende,” handwritten typescript and typescript carbons
with handwritten notes and correctionsDates
undatedBox
79
Folder
9
- [On Architectural Sculpture], handwritten
Dates
undatedBox
79
Folder
10
- “Art as Experience,” reprints from Progressive Education
Dates
1935Box
79
Folder
11
- “Art-Judgement-Criticism,” handwritten
Dates
circa 1930sBox
79
Folder
12(1)
- [On art in general education], handwritten
Dates
circa 1950Box
79
Folder
12(2)
- [Art is not to be looked at], 1956 handwritten postcard to AA, June
24, 1972 New Haven Register clippingDates
1972Box
79
Folder
13
- [Art is the language], handwritten draft
Dates
undatedBox
79
Folder
14
- [Artists are prophets], handwritten draft
Dates
undatedBox
79
Folder
15
- “Astrology in the Fog,” typescript and typescript carbon
Dates
undatedBox
79
Folder
16
- [At night everything is gray], handwritten, typescripts and typescript
carbon, with handwritten correctionsDates
undatedBox
79
Folder
17
- [On Bauhaus methods in America], handwritten and typescript
with handwritten corrections (in reply to October 21 1937 letter
from Lawrence Kocher)Dates
circa 1937Box
79
Folder
18
- “Bezügliche Farbe,” typescript with handwritten corrections,
handwritten photocopy with handwritten correctionsDates
undatedBox
79
Folder
19
- [On Blue Reminding], handwritten
Dates
undatedBox
79
Folder
20
- “Cezanne,” handwritten
Dates
undatedBox
79
Folder
21
- [On Cezanne and the right angle], handwritten
Dates
undatedBox
79
Folder
22
- [On JA’s childhood and painting], handwritten
Dates
circa 1950Box
79
Folder
23
- “The Color in My Painting,” typescripts, typescript carbons with
handwritten corrections and catalogue translationsDates
circa 1954, 1964Box
79
Folder
24
- “Color is the Most Relative Medium in Art,” typescript carbons
with handwritten correctionsDates
circa 1952Box
79
Folder
25
- [The concept of the nineteenth century], typescript carbons with
handwritten notesDates
undatedBox
79
Folder
26
- “On Co-ordination,” typescript carbons with handwritten corrections
Dates
circa 1950, 1953Box
79
Folder
27
- [Fácil-saber. . .], typescript carbon and photocopy with
handwritten correctionsDates
undatedBox
79
Folder
28
- [Es ist nichts Neues auf der Welt], handwritten with handwritten
correctionsDates
undatedBox
79
Folder
29
- “Explanation of Design #1 and #2,” handwritten and typescript with
handwritten correctionsDates
undatedBox
79
Folder
30
- [To design is], handwritten, typescript carbons, photocopies and
clippings, with handwritten correctionsDates
circa 1958Box
79
Folder
31(1)
- “Design is Planning,” handwritten
Dates
circa 1950Box
79
Folder
31(2)
- [Despite these rectangular and, therefore, distinctly
flat], typescriptDates
undatedBox
79
Folder
32(1)
- “The Direct Approach in Art,” handwritten and typescript
Dates
undatedBox
79
Folder
32(2)
- [On “Do Less and Get More”], handwritten
Dates
undatedBox
79
Folder
33
- [Do right], typescripts and typescript carbons
Dates
undatedBox
79
Folder
34
- [Don’t be pro], typescripts with handwritten corrections
Dates
undatedBox
79
Folder
35
- [On drawing], handwritten
Dates
undatedBox
79
Folder
36
- “Drunten im Hinterland,” handwritten
Dates
1937Box
79
Folder
37
- [On education], handwritten
Dates
1955Box
79
Folder
38(1)
- “The Educational Value of Manual Work and Handicraft in
Relation to Architecture,” typescript carbons with handwritten
corrections and notes, photocopies of reprint from New
Architecture and City PlanningDates
1944Box
79
Folder
38(2)
- “Einigkeit macht stark,” handwritten
Dates
circa 1940Box
79
Folder
39
- [An eleventh amendment], handwritten
Dates
undatedBox
79
Folder
40
- “Emphasis and selection in art,” handwritten and typescript
Dates
circa 1930sBox
79
Folder
41
- “Erwachsene abzähl-reime,” handwritten and typescripts with
handwritten correctionsDates
1940sBox
79
Folder
42
- [Every perceivable thing has form . . . ], typescript carbons
Dates
undatedBox
79
Folder
43
- “Formalism Functionalism,” handwritten with drawings of bicycles
Dates
1949Box
79
Folder
44
- [From paint to painting], typescript carbons with handwritten
corrections and handwritten version by Anni AlbersDates
undatedBox
79
Folder
45
- "Fugue," The Structurist No. 4 Special issue on Art and Music
Dates
1964Box
79
Folder
46
- [On glass painting], typescript
Dates
1940Box
79
Folder
47
- “Graphic Tectonics (synopsis),” typescript carbons with handwritten
notes, 1942 and “Tektonische Graphic,” typescript for Cincinnati
1949 exhibition catalogueDates
1942, 1949Box
79
Folder
48
- Untitled statement on Walter Gropius, typescripts and typescript
carbons with handwritten corrections and notes written for
unfinished book on Gropius by Xanti SchawinskyDates
circa 1950Box
79
Folder
49
- [Grosse Vorbilder], typescript and typescript carbons
Dates
undatedBox
79
Folder
50
- [On teaching at Harvard], handwritten
Dates
undatedBox
79
Folder
51
- “Heroisch,” typescript carbons with handwritten corrections
Dates
undatedBox
79
Folder
52
- “On my Homage to the Square,” typescripts and photocopies of
various published translationsDates
circa 1954Box
79
Folder
53
- “Zu Meinen Homage to the Square,” handwritten with drawing
Dates
undatedBox
79
Folder
54
- [I am a Westphalian from the Ruhr], reprints from
New Mexico QuarterlyDates
1953Box
80
Folder
1
- [I don’t think], handwritten
Dates
undatedBox
80
Folder
2
- “I Remember,” handwritten. (Includes notes on Bauhaus and JA’s
Bauhaus colleagues Klee, Kandinsky, Schlemmer and others;
Black Mountain College and Richard Lippold, John Rice, John
Dewey and Albert Barnes; Mexico; Yale; and art works)Dates
undatedBox
80
Folder
3
- [Ich glaube, dass sinnvolle formgebung für ein architektonisches],
photocopy from Spirale 5Dates
1955Box
80
Folder
4
- [Ich sage “perceptuale” Effekte], handwritten and photocopy with
handwritten correctionsDates
circa 1965Box
80
Folder
5
- “Idea and Spirit,” handwritten
Dates
circa 1930sBox
80
Folder
6(1)
- [If history is study of human conduct], handwritten
Dates
circa 1945Box
80
Folder
6(2)
- [If we care to listen, we can hear repeatedly] typescript with
handwritten correctionsDates
undatedBox
80
Folder
7
- “Im Spiegel,” handwritten
Dates
undatedBox
80
Folder
8
- “Re: Imbedded Linear Constructions,” typescript
Dates
circa 1971Box
80
Folder
9
- “In a collection of emblems, two visual formulations of the past
deserve reference,” reprints from Eight Symbols by Norman IvesDates
1960Box
80
Folder
10
- “In Behalf of Structured Sculpture,” typescript carbons and
photocopies with handwritten corrections and notes (written for
Art in America No. 3 1961)Dates
circa 1961Box
80
Folder
11
- [In my painting], handwritten
Dates
undatedBox
80
Folder
12
- “Indicating Solids-Never Before,” handwritten (with photocopies
of Tyler Workshop brochure and related statements)Dates
1976Box
80
Folder
13
- “Inheritance/Erbmasse” (Heritage-Inheritance/Erbmasse-
Massenerbe), handwritten, typescript and typescript carbonsDates
undatedBox
80
Folder
14
- “It is always gratifying to see development,” handwritten and typescript
Dates
circa 1940Box
80
Folder
15
- [It is an old painter’s rule that landscape], handwritten
Dates
undatedBox
80
Folder
16
- “It seems that there is still development,” handwritten and typescript
Dates
circa 1940Box
80
Folder
17
- [On Kandinsky], photocopy of XXe Siècle Paris 1966 and
unidentified photocopyDates
undatedBox
80
Folder
18
- “Kausalität (Weltanschauung des Marktes),” handwritten
Dates
1937Box
80
Folder
19
- [Keine Zeit ist/Walls and doors/Allen guten Dinge], handwritten
Dates
undatedBox
80
Folder
20
- “Kommunication,” handwritten
Dates
undatedBox
80
Folder
21
- “Less Works More/Weniger wirkt mehr,” handwritten and typescript
photocopies with handwritten notesDates
undatedBox
80
Folder
22
- [Man denkt], handwritten
Dates
1938Box
80
Folder
23
- [Man Kämpft für], handwritten
Dates
1941Box
80
Folder
24
- “Materialformen,” handwritten with drawings
Dates
circa 1930sBox
80
Folder
25(1)
- “Mehr Bauen als Malen,” handwritten
Dates
undatedBox
80
Folder
25(2)
- “Negro Art,” handwritten
Dates
circa 1940Box
80
Folder
26
- [The new art term, “optical painting”], typescript with handwritten
correctionsDates
circa 1964Box
80
Folder
27
- “Nightingale in the Fog/Nachtigall bei Nebel,” typescript and
typescript carbonsDates
undatedBox
80
Folder
28
- “Not But Yet/Doch wie Nicht,” handwritten, typescript and typescript
carbons with handwritten correctionsDates
undatedBox
80
Folder
29
- “A Note on the Arts in Education,” typescript and clippings from
The American Magazine of Art, April 1936Dates
1936Box
80
Folder
30
- [Nothing “neo”], handwritten
Dates
undatedBox
80
Folder
31
- [OK, Amateurs], handwritten statement on teaching
Dates
undatedBox
80
Folder
32
- “O-O-O,” typescripts
Dates
undatedBox
80
Folder
33
- [Oftmals denk ich], handwritten, typescript and typescript carbons
Dates
1941Box
80
Folder
34
- “On Art,” table of contents from One Quarter Scale, University of
Cincinnati, March 1953Dates
1953Box
80
Folder
35
- “On My Work” [When I paint and construct], typescripts, typescript
carbons with handwritten corrections, circa 1959 and reprints of
Daedalus, Winter 1960Dates
circa 1959, 1960Box
80
Folder
36
- [One can suffocate from knowledge], typescripts
and typescript carbonsDates
undatedBox
80
Folder
37
- [One is walking], handwritten
Dates
undatedBox
80
Folder
38
- [Only the Goal/Nur das Ziel], handwritten typescripts with
handwritten correctionsDates
undatedBox
80
Folder
39
- “Op Art and/or Perceptual Effects,” typescripts, typescript carbons
and handwritten photocopyDates
circa 1965Box
80
Folder
40
- “Op Art and/or Perceptual Effects,” Yale Scientific November 1965
and reprints with handwritten notesDates
1965Box
80
Folder
41
- [The origins of art/Der Ursprung der Kunst],
handwritten, typescript, typescript carbons and photocopies
with handwritten corrections (includes list of publications)Dates
circa 1940Box
80
Folder
42
“Owl By Sunlight/Eule bei Sonnenschein,” typescripts and typescript
carbons with handwritten correctionsDates
undated
Box
80
Folder
43
"Particularly 'White Cross' should speak by itself ...," typescript, circa 1943
Dates
Box
80
Folder
43(1)
- [On perceptual effects], handwritten
Dates
undatedBox
80
Folder
44(1)
- [The physio-psychological phenomenon of the so-called after-image],
typescript mimeographyDates
undatedBox
80
Folder
44(2)
- “Plato II (For a Dialectician)/Plato II (An einen Dialektiker), handwritten,
typescript and typescript carbons with handwritten correctionsDates
1936Box
80
Folder
45
- “Plus = Minus / + = -,” typescripts, typescript carbons, typescript
photocopies with handwritten notes, clipping from Ulmer
Monatsspiegal July 1955 and photocopy of Ord und Bil No 4
1967 (includes “More or Less”)Dates
1955, 1967, undatedBox
80
Folder
46
- “Present and/or Past,” reprints from Design with handwritten
notes. April, 1946Dates
1946Box
80
Folder
47
- [The ratio of effort to effect is], typescript mimeograph
Dates
circa 1950Box
81
Folder
1
- [On the reds in the paintings of the Janis Collection] handwritten
with corrections (written for 1968 Dorothy Miller catalogue)Dates
1968Box
81
Folder
2
- “Reductio ad absurdum,” typescript carbon and “Structural
Constellation,” photocopy with handwritten correctionsDates
undatedBox
81
Folder
3
- [On religious edifices], handwritten with drawings
Dates
undatedBox
81
Folder
4
- “Schöne Wirtschaft,” typescript with AA handwritten notes and
typescript carbonDates
undatedBox
81
Folder
5
- [The search of science], handwritten
Dates
undatedBox
81
Folder
6
- “Seeing Art/Kunst Sehen,” typescripts, typescript carbons with
handwritten corrections and photocopiesDates
circa 1952Box
81
Folder
7
- “On Seeing Art,” handwritten and typescript
Dates
circa 1940Box
81
Folder
8
- [So far a suspected noun], typescript with handwritten note
Dates
1964Box
81
Folder
9
- “The So-Called Artist,” typescript and handwritten
Dates
undatedBox
81
Folder
10
- [About my Structural Constellations], typescript, typescript carbon
and handwrittenDates
undatedBox
81
Folder
11(1)
- “Structural Sculpture” [(It is more than 40 years], exhibition catalogues
and photocopies with handwritten notes (Erwin Hauer and
Robert Engman)Dates
1960, 1966, undatedBox
81
Folder
11(2)
- [On structure, facture, texture], photocopy of telegram
November 26, 1938 [see Box 25 Folder 2]Dates
1938Box
81
Folder
12
- [On talking about art], handwritten
Dates
undatedBox
81
Folder
13
- “On Taste,” typescript and handwritten
Dates
undatedBox
81
Folder
14
- [There is no world without a stage/Keine Welt hat Kein Theater],
typescript and typescript carbon with handwritten correctionsDates
undatedBox
81
Folder
15
- [To distribute material possessions/Austeilen materieller Güter],
handwritten, typescript and typescript photocopies with
handwritten corrections (includes “Plus=Minus”)Dates
circa 1938Box
81
Folder
16
- [To educate is to adjust the individual to the community],
handwritten and typescript carbonsDates
circa 1940Box
81
Folder
17(1)
- “To Me (So Far)/Fuer Mich (soweit),” typescripts and typescript
carbonsDates
circa 1952Box
81
Folder
17(2)
- “To some particular promoters,” handwritten, typescript and
typescript carbons with handwritten correctionsDates
undatedBox
81
Folder
18
- “To Those [Some/The/Their] Creators,” handwritten corrections
Dates
undatedBox
81
Folder
19
- [Two reduced posters/Zwei verkleinerte Plakate], handwritten
and photocopiesDates
undatedBox
81
Folder
20
- “Unbelievable, But True/Unglaublich, aber Wahr,” typescripts and
typescript carbons with handwritten notesDates
undatedBox
81
Folder
21
- [On Variants on a Theme], handwritten, typescripts, typescript
carbons and photocopies with handwritten corrections and notesDates
circa 1940Box
81
Folder
22
- [Verbal analysis of a graphic presentation], typescript carbons
with handwritten corrections (regarding Container Corporation
logo) [see Box OS20 Folder 11(1)]Dates
undatedBox
81
Folder
23
- “Verwünschter Wunsch,” handwritten, typescript and typescript
carbonDates
undatedBox
81
Folder
24
- “A Very Short Story/Schweigend Verstehen,” handwritten, typescript
and typescript carbons with handwritten corrections and notes
(includes “To distribute material possessions”)Dates
circa 1945Box
81
Folder
25
- “von Farbe zu Malerei,” handwritten
Dates
undatedBox
81
Folder
26
- “Vorkurs 1923,” typescript with handwritten corrections
Dates
1938Box
81
Folder
27
- [Was ich nicht habe], handwritten
Dates
1941Box
81
Folder
28
- “We Construct and Construct/Konstruieren und Konstruieren,”
handwritten, typescripts and typescript carbonsDates
1943Box
81
Folder
29
- [We had forgotten-but learned again/Wir haben verlernt-aber wieder
gelernt], handwritten, typescript, typescript carbons and
photocopies with handwritten corrections and notesDates
1963Box
81
Folder
30
- “Weltanschauung,” handwritten, typescripts, typescript carbons
with handwritten notes, translation handwritten by Anni AlbersDates
undatedBox
81
Folder
31
- “werklicher formunterricht,” Bauhaus 2/3. Offprints and
photocopies (with English translation and handwritten excerpt)Dates
1928, undatedBox
81
Folder
32
- [What I am aiming at in fundamental design], typescript carbon
Dates
undatedBox
81
Folder
33
- [What I want to do in my painting] handwritten
Dates
undatedBox
81
Folder
34
- [When I paint/Wenn ich male], handwritten typescripts, typescript
carbons with handwritten corrections and photocopies of
published versionsDates
undatedBox
81
Folder
35
- [When our words, wishes, worlds], handwritten
Dates
undatedBox
81
Folder
36
- “White/In Praise of White,” handwritten and typescript with
handwritten correctionsDates
undatedBox
81
Folder
37
- [On White Line Squares], typescript
Dates
undatedBox
81
Folder
38
- [With false premises/Mit falschen Prämissen (Swischen den Kulissen)],
handwritten, typescript and typescript carbons with handwritten
correctionsDates
undatedBox
81
Folder
39
- “Zur Konference/Es gibt,” handwritten, typescripts and typescript
carbonsDates
undatedBox
81
Folder
40
- Untitled statement published in “Contemporary American Painting,”
catalogue, University of Illinois Urbana, typescript carbons with
handwritten notesDates
1952Box
81
Folder
41
- Untitled statement on JA at the Bauhaus, handwritten and
handwritten photocopy with handwritten correctionsDates
undatedBox
81
Folder
42
- Quotations from JA’s writing
Dates
undatedBox
81
Folder
43
- Miscellaneous writings and notes, handwritten (includes notes on
typologies of form)Dates
circa 1920–1930sBox
82
Folder
1
- Miscellaneous writings and notes on education handwritten
(including notes on Black Mountain College)Dates
circa 1940s–1960sBox
82
Folder
2
- Miscellaneous writings and notes, handwritten
Dates
circa 1930–1960sBox
82
Folder
3
Notes on
Other artists, architects and writers includes Ed Barnes (anecdote about JA's painting "Legendary Pasture"), Paul Beidler (anecdote about JA as a teacher) Max Beckmann, John Cage, Marcel Duchamp, van Doesburg, Clement Greenberg, Will Grohmann (includes German obituary), Walter Gropius and the Bauhaus (includes clipping on Gropius), Wassily Kandinsky, Paul Klee, Henry Moore, Jackson Pollock, Tut Schlemmer, Frank Lloyd Wright
Dates
undated
Box
82
Folder
4
- Basic Design
Dates
undatedBox
82
Folder
5
- Bauhaus
Dates
undatedBox
82
Folder
6(1)
- Bauhaus Archiv
Dates
undatedBox
82
Folder
6(2)
- Color and black and white
Dates
undatedBox
82
Folder
7
- Education
Dates
undatedBox
82
Folder
8
- Gestalt theories of perception
Dates
undatedBox
82
Folder
9
- Elliot Kone
Dates
undatedBox
82
Folder
10
- Movement and color
Dates
undatedBox
82
Folder
11
- “My Book”
Dates
undatedBox
82
Folder
12
- Painting and color
Dates
undatedBox
82
Folder
13
- Poetic creation
Dates
undatedBox
82
Folder
14(1)
- Repetition
Dates
undatedBox
82
Folder
14(2)
- Si Sillman and Norman Ives
Dates
undatedBox
82
Folder
15
- Systemics
Dates
undatedBox
82
Folder
16
- Quotations by and about Josef Albers
Dates
undatedBox
82
Folder
17
Miscellaneous notes from a disassembled folder (includes notes about Black Mountain College)
Dates
undated
Box
82
Folder
18
Notes for a speech at opening of JA exhibition at the Metropolitan Museum of Art, New York, November 18 1971 [see IIc. Solo Exhibitions Box 48 Folder 20]
Dates
1971
Box
82
Folder
19
Notes on student Elinor Evan’s MFA thesis, “Implications of Some Gestalt Perception in a Group of Contemporary Paintings”
Dates
undated
Box
82
Folder
20
Unsorted handwritten notes
- Notes on work titles and miscellaneous
Dates
circa 1945–1975Box
83
Folder
1–3
Notes (includes photocopies of early JA writings, drafts and published poems, writings on art and artists, diagram for folded paper beard, notes for statement in print portfolio Never Before)
Dates
circa 1930s–1970s
Box
83
Folder
4
Notes (includes preparatory work for JA teaching at Harvard, notes on Black Moutain College, note on Japanese art, notes on John Andrew Rice, lists of addresses, notes on press about Black Mountain College, notes on exhibitions, preparatory notes for
lectures or classes)Dates
circa 1930s–1960s
Box
83
Folder
5
Notes (includes notes on paintings and other artworks, notes on gifts and loans of works, notes on criticism of JA work as “degenerate”, lists of recipients for holiday cards, to do lists, lists for titles, drafts of letters, notes on Bauhaus by Hans Wingler, list of talks and writings from Black Mountain College)
Dates
circa 1930s–1970s
Box
83
Folder
6
Notes (includes notes on translations, notes on glass works, notes on text for Interaction of Color and Formulation : Articulation, notes on titles, notes on paintings and prints, invitation to 1947 exhibition of work by Josef Albers in Denton Texas, notes on color circles, notes on Documenta III, notes on Mexican Lithographs, to do lists)
Dates
circa 1940s–1970s
Box
83
Folder
7
Notes (includes lists of gifts, to do lists, notes on Paintings, lists of stained glass windows, notes on Bauhaus by Hans Wingler, notes on other artists and institutions, notes on loans and exhibitions)
Dates
circa 1950s–1970s
Box
83
Folder
8
Notes (includes notes on paintings and collectors, lists of recipients for holiday cards, lists of addresses, notes on prints, lists of titles, notes about László Moholy-Nagy)
Dates
circa 1940s–1970s
Box
83
Folder
9
Notes on Anni Albers (two items: Paul Klee reproduction, and sheet of paper with “Anni Albers” written on it)
Dates
undated
Box
83
Folder
10
- Puzzles and Games (mostly press clippings)
Dates
circa 1950s–1970sBox
83
Folder
11
- Blank Paper
Dates
undatedBox
83
Folder
12
Writings by others on Josef Albers
Acha, Juan “Josef Albers: Homage to the Square,” for Cultura
Peruana October-December, 1964Dates
1964
Box
85
Folder
1
Albrecht, Hans Joachim “Josef Albers: Homage to the Square,” for
Kaiser Wilhelm Museum, April 1971 Krefeld exhibition catalogueDates
1971
Box
85
Folder
2
Arp, Hans/Jean “Josef Albers,” (English translation by Anni Albers) (includes 2 copies of der technische akademiker nos. 7 and 8, 1958, in which Arp’s poem is published, as well as an illustration of a Structural Constellation and an accompanying article “Test auf Vorurteile” by “Ro” probably the journal’s editor Bruno Rothschuh)
Dates
1957
Box
85
Folder
4(1)
Baljeau, Joost “The Hegelian Romantic Negation in Modern
Plastic Art”Dates
undated
Box
85
Folder
4(2)
Barnstone, Willis “For Josef Albers” (on the occasion of JA’s
Yale University retirement)Dates
1958
Box
85
Folder
5
Beckmann, Hannes “Formative Years”
Dates
undated
Box
85
Folder
6
Boyden, Katrina “The Background of the Bauhaus and the Word of Josef Albers,” Senior thesis Bennington College, June
Dates
1952
Box
85
Folder
7
Chanes, Rafael “Ode to the Square”
Dates
1964
Box
85
Folder
8
Charlot, Jean “Nature and the Art of Josef Albers,” reprint from College Art Journal, Spring 1956
Dates
1956
Box
85
Folder
9(1)
Clay, Jean “Albers: Three Stages of Logic,” typescript incomplete, typescript photocopy and photocopy of article in Rhobo Spring 1958
Dates
1958
Box
85
Folder
9(2)
Conant, Howard “The Pursuit of Excellence: An Address delivered by Professor Howard Conant Chairman, Department of Art Education, New York University, to the National Committee on Art Education at the Museum of Modern Art on 2 May 1963” (includes letter from Conant to JA, November 15 1963)
Dates
1963
Box
85
Folder
10(1)
Crespo de la Serna, Jorge Juan “Josef Albers y lo Abstracto en la Arte”
Dates
circa 1934
Box
85
Folder
10(2)
Culley, John H. Untitled, August 14, 1938, for catalogue of exhibition “Josef Albers” at the Artists Gallery,New York, December 6–31, 1938 (see Box 45 Folder 8)
Dates
1938
Box
85
Folder
11(1)
Degand, Léon “Albers,” from Aujour d’hui No. 15
Dates
1958
Box
85
Folder
11(2)
Diament de Sujo, Clara “Josef Albers” May 1966. Spanish with English translation by Bonnie Lee Thompson
Dates
1966
Box
85
Folder
12
Dörner, Alexander Untitled, February
Dates
1942
Box
85
Folder
13
Duault, Alain “Albers” (à Ernest Beyeler) May 5, 73
Dates
1973
Box
85
Folder
14
Farrell, Nancy “Prismatic II,” (verbessert bei Frau Moellenhoff) A short appreciation of a painting by Josef Albers written in German. Farrell was a student at BMC ca. 1935–37. Anno Moellenhoff was a faculty member.
Dates
1937
Box
85
Folder
15(1)
Folds, Thomas. Untitled January 6, 1952
Dates
1952
Box
85
Folder
15(2)
Fuller, Buckminster “Josef Albers 1888–1976”
Dates
1978
Box
85
Folder
16
Gerstner, Karl “Aphorismen zu 80 Jahre Albers,” October 27, 1967
Dates
1967
Box
85
Folder
17(1)
Golden, Fred. Untitled (includes JA handwritten note)
Dates
undated
Box
85
Folder
17(2)
Graham (possibly John), Untitled, for catalogue of exhibition “Josef Albers” at the Artists Gallery, New York, December 6–31, 1938 (see Box 45 Folder 8)
Dates
1938
Box
85
Folder
18
Greene, Balcomb. Untitled, for catalogue of exhibition “Josef Albers” at the Artists Gallery, New York, December 6–31, 1938 (see Box 45 Folder 8)
Dates
1938
Box
85
Folder
19
Grohmann, Will. Various
Dates
1957–1965, undated
Box
85
Folder
20(1)
Hildebrandt, Hans “Josef Albers”
Dates
undated
Box
85
Folder
20(2)
Huffner, Fritz C. Various. (includes notes by JA)
Dates
1957–1971, undated
Box
85
Folder
21(1)
Imdahl, Max “On Josef Albers’s Structural Constellations"
Dates
undated
Box
85
Folder
21(2)
Jaffé, Hans “Josef Albers: Studie voor “homage to the square: blue depth,” Gemeente-museum den Haag
Dates
undated
Box
85
Folder
22(1)
Hess, Thomas B., "Homage to Albers," for March–April 1973 Galerie Beyeler, Basel
Dates
1973
Box
85
Folder
22(2)
Le Ricolais, Robert “Bertrachtungen über die Graphiken von Josef Albers“ for Art International March 20 1968
Dates
1968
Box
85
Folder
23
Lord, James “Josef Albers: The Exercise of Integrity”
Dates
undated
Box
85
Folder
24
Mérida, Carlos. Untitled, for catalogue of exhibition “Josef Albers” at the Artists Gallery, New York, December 6–31, 1938 (see Box 45 Folder 8)
Dates
1938
Box
85
Folder
25
Morris, George L.K. Untitled, for catalogue of exhibition “Josef Albers” at the Artists Gallery, New York, December 6–31, 1938 (see Box 45 Folder 8)
Dates
1938
Box
85
Folder
26(1)
Mokry, Uvod 1928 lecture on Bauhaus and JA (includes photocopy of original lecture and transcript translation with 1968 letter from translator, Zdenka Pospisil)
Dates
1928, 1968
Box
85
Folder
26(2)
Nakahara, Yusuke “Homage to the Square: Albers and Abstract Art,” from Sekai, September 1964
Dates
1964
Box
85
Folder
27
Nilson, Karl-Gustaf “Josef Albers: Interaction of Color"
Dates
1966
Box
86
Folder
1–2
Rogo, Elsa. Untitled, for catalogue of exhibition “Josef Albers” at the Artists Gallery,New York, December 6–31, 1938 (see Box 45 Folder 8)
Dates
1938
Box
86
Folder
3
Aline B. Saarinen Quote from New York Times October 31, 1954
Dates
1954
Box
86
Folder
4
- Schmied, Wieland
“Josef Albers,” for Neue Zürcher Zeitung
Dates
1972
Box
86
Folder
5
- Schmied, Wieland
“Fifteen Statements for Josef Albers”
Dates
undated
Box
86
Folder
6
- Schmied, Wieland
“Experiences with Josef Albers”
Dates
undated
Box
86
Folder
7
- Schmied, Wieland
“Homage to Josef Albers,” for Kerstner-Gessellschaft, Hannover May–June 1968
Dates
1968
Box
86
Folder
8
Von Eckardt, Wolf “What the Bauhaus Taught: Obsolete or Viable” for Horizon, November 1961. Typescript.
Dates
1961
Box
86
Folder
9
Unidentified Introduction for JA lecture at Virginia Museum of Fine Art November 21 1966
Dates
1966
Box
86
Folder
10
Unidentified “The Square Affair”
Dates
undated
Box
86
Folder
11(1)
Unidentified “Reflections on the Graphisms of Josef Albers”
Dates
1967
Box
86
Folder
11(2)
Unidentified
Dates
undated
Box
86
Folder
12
Notes on Ed Barnes, Paul Beidler and “PM”s words on JA
Dates
undated
Box
86
Folder
13
Huffner, Fritz C. German Translation of JA's Search vs. Research (incomplete)
Dates
1970
Box
85
Folder
21(1)(a)
Writings by other on Josef Albers
Apollonio, Umbro “Albers,” for Graphic Tectonics (German translation by Elisabeth Navarini)
Dates
undated
Box
85
Folder
3
Writings not on Josef Albers by others
- Benne, Kenneth. “Intelligence as an Aim of Art Education”
Dates
undatedBox
86
Folder
14
- Cage, John. “Forerunners of Modern Music”
Dates
undatedBox
86
Folder
15
- Dreier, Katherine. Untitled
Dates
undatedBox
86
Folder
16
- Dwight, Edward. Untitled
Dates
undatedBox
86
Folder
17
Gropius, Walter “Speech delivered at the Harvard Club of Boston at the Alumni Dinner for Walter Gropius’s 75th Birthday,” May 24
Dates
1958
Box
86
Folder
18(1)
von Herrmann, Rolf-Dieter "Uber das Gesellschaftliche sein des Kunstlers."
Dates
1968
Box
86
Folder
18(2)
- Lippold, Richard. “On the Appropriateness of Materials”
Dates
undatedBox
86
Folder
19
- Lippold, Richard. Untitled writings
Dates
1947–1948Box
86
Folder
20
Matisse, Henri. Untitled letter to Henry Clifford February 13 1948, (published in Perspecta 4, 1957)
Dates
1948
Box
86
Folder
21
- Mayer, Ralph. “The Newer Paint Materials and a Report on Art”
Dates
1968Box
86
Folder
22
- Meyer, Hannes. “Creative Education” (includes handwritten JA note)
Dates
undatedBox
86
Folder
23
- Prager, Oscar. “Betrachtungen zur Asthetik der Gartenkunst”
Dates
1959Box
86
Folder
24
- Rebay, Hilla. “New Age”
Dates
1949Box
86
Folder
25
- Ringel, Fred. “America Seen by Americans”
Dates
1932Box
86
Folder
26
- Wagner, Martin. “The Build of the Builders”
Dates
undatedBox
86
Folder
28
- Quotations by others
Dates
undatedBox
86
Folder
28
Breuer, Martha. “Revision of the Genus Rhynchosciara Rübsaamen (Diptera, Sciardae) in the Neotropical Region”
Dates
1969
Box
118
Folder
14