Josef & Anni Albers Foundation

1928–1971


1928–1971

Various Writings

This series contains writings by Josef Albers, with writings by others on Josef Albers, and writings by others on topics not related to Josef Albers. The bulk of the subseries is handwritten and typescript drafts and printed versions of poems, statements and general writings by Josef Albers. Often these writings appeared in various publications. Titles contained in brackets represent the first line of an untitled writing or the general topic. Highlights include the group of writings titled "I Remember," which contain various memories of Josef's and the group titled "My Book," which contains various writings put together by Josef for an unfinished book of writings; a facsimile score of Six Melodies for Violin and Keyboard (for Josef and Anni Albers) by John Cage; and an untitled statement on Walter Gropius for an unfinished book on Gropius by Xanti Schawinsky. Most handwritten and typescript versions of poems included in Poems and Drawings are in this subseries. There is a large number of loose leaves with fragments of writings and notes by Josef, both sorted and unsorted. Texts from the Black Mountain College period may also be found in Series IIa: Teaching.

Description

Folder

    • Translations of JA writings by F.C. Huffner (includes letter from Huffner)

      Dates

      1970, undated

      Box

      78

      Folder

      7–10

    • [a-b] typescript photocopy

      Dates

      undated

      Box

      79

      Folder

      1

    • “About Teaching Art,” typescript carbons with handwritten corrections
      and notes (contribution to book, Art Appreciation Committee)

      Dates

      circa 1945

      Box

      79

      Folder

      2

    • “Abstract-Presentational-Presentative,” typescript carbons and reprints
      from 1946 American Abstract Artist, with handwritten notes

      Dates

      1946

      Box

      79

      Folder

      3

    • [Achtung!], handwritten

      Dates

      1935

      Box

      79

      Folder

      4

    • “Josef Albers,” from Nueva Vision (Buenos Aires) No. 8, clippings
      (with article on JA)

      Dates

      1955

      Box

      79

      Folder

      5

    • “Alle-Gemein,” handwritten. Dated “Santiago VI.18.53”

      Dates

      1953

      Box

      79

      Folder

      6

    • [Alle guten Dinge], handwritten

      Dates

      circa 1940

      Box

      79

      Folder

      7

    • [Am Charles River], handwritten

      Dates

      1941

      Box

      79

      Folder

      8

    • “Anfang ohne Ende,” handwritten typescript and typescript carbons
      with handwritten notes and corrections

      Dates

      undated

      Box

      79

      Folder

      9

    • [On Architectural Sculpture], handwritten

      Dates

      undated

      Box

      79

      Folder

      10

    • “Art as Experience,” reprints from Progressive Education

      Dates

      1935

      Box

      79

      Folder

      11

    • “Art-Judgement-Criticism,” handwritten

      Dates

      circa 1930s

      Box

      79

      Folder

      12(1)

    • [On art in general education], handwritten

      Dates

      circa 1950

      Box

      79

      Folder

      12(2)

    • [Art is not to be looked at], 1956 handwritten postcard to AA, June
      24, 1972 New Haven Register clipping

      Dates

      1972

      Box

      79

      Folder

      13

    • [Art is the language], handwritten draft

      Dates

      undated

      Box

      79

      Folder

      14

    • [Artists are prophets], handwritten draft

      Dates

      undated

      Box

      79

      Folder

      15

    • “Astrology in the Fog,” typescript and typescript carbon

      Dates

      undated

      Box

      79

      Folder

      16

    • [At night everything is gray], handwritten, typescripts and typescript
      carbon, with handwritten corrections

      Dates

      undated

      Box

      79

      Folder

      17

    • [On Bauhaus methods in America], handwritten and typescript
      with handwritten corrections (in reply to October 21 1937 letter
      from Lawrence Kocher)

      Dates

      circa 1937

      Box

      79

      Folder

      18

    • “Bezügliche Farbe,” typescript with handwritten corrections,
      handwritten photocopy with handwritten corrections

      Dates

      undated

      Box

      79

      Folder

      19

    • [On Blue Reminding], handwritten

      Dates

      undated

      Box

      79

      Folder

      20

    • “Cezanne,” handwritten

      Dates

      undated

      Box

      79

      Folder

      21

    • [On Cezanne and the right angle], handwritten

      Dates

      undated

      Box

      79

      Folder

      22

    • [On JA’s childhood and painting], handwritten

      Dates

      circa 1950

      Box

      79

      Folder

      23

    • “The Color in My Painting,” typescripts, typescript carbons with
      handwritten corrections and catalogue translations

      Dates

      circa 1954, 1964

      Box

      79

      Folder

      24

    • “Color is the Most Relative Medium in Art,” typescript carbons
      with handwritten corrections

      Dates

      circa 1952

      Box

      79

      Folder

      25

    • [The concept of the nineteenth century], typescript carbons with
      handwritten notes

      Dates

      undated

      Box

      79

      Folder

      26

    • “On Co-ordination,” typescript carbons with handwritten corrections

      Dates

      circa 1950, 1953

      Box

      79

      Folder

      27

    • [Fácil-saber. . .], typescript carbon and photocopy with
      handwritten corrections

      Dates

      undated

      Box

      79

      Folder

      28

    • [Es ist nichts Neues auf der Welt], handwritten with handwritten
      corrections

      Dates

      undated

      Box

      79

      Folder

      29

    • “Explanation of Design #1 and #2,” handwritten and typescript with
      handwritten corrections

      Dates

      undated

      Box

      79

      Folder

      30

    • [To design is], handwritten, typescript carbons, photocopies and
      clippings, with handwritten corrections

      Dates

      circa 1958

      Box

      79

      Folder

      31(1)

    • “Design is Planning,” handwritten

      Dates

      circa 1950

      Box

      79

      Folder

      31(2)

    • [Despite these rectangular and, therefore, distinctly
      flat], typescript

      Dates

      undated

      Box

      79

      Folder

      32(1)

    • “The Direct Approach in Art,” handwritten and typescript

      Dates

      undated

      Box

      79

      Folder

      32(2)

    • [On “Do Less and Get More”], handwritten

      Dates

      undated

      Box

      79

      Folder

      33

    • [Do right], typescripts and typescript carbons

      Dates

      undated

      Box

      79

      Folder

      34

    • [Don’t be pro], typescripts with handwritten corrections

      Dates

      undated

      Box

      79

      Folder

      35

    • [On drawing], handwritten

      Dates

      undated

      Box

      79

      Folder

      36

    • “Drunten im Hinterland,” handwritten

      Dates

      1937

      Box

      79

      Folder

      37

    • [On education], handwritten

      Dates

      1955

      Box

      79

      Folder

      38(1)

    • “The Educational Value of Manual Work and Handicraft in
      Relation to Architecture,” typescript carbons with handwritten
      corrections and notes, photocopies of reprint from New
      Architecture and City Planning

      Dates

      1944

      Box

      79

      Folder

      38(2)

    • “Einigkeit macht stark,” handwritten

      Dates

      circa 1940

      Box

      79

      Folder

      39

    • [An eleventh amendment], handwritten

      Dates

      undated

      Box

      79

      Folder

      40

    • “Emphasis and selection in art,” handwritten and typescript

      Dates

      circa 1930s

      Box

      79

      Folder

      41

    • “Erwachsene abzähl-reime,” handwritten and typescripts with
      handwritten corrections

      Dates

      1940s

      Box

      79

      Folder

      42

    • [Every perceivable thing has form . . . ], typescript carbons

      Dates

      undated

      Box

      79

      Folder

      43

    • “Formalism Functionalism,” handwritten with drawings of bicycles

      Dates

      1949

      Box

      79

      Folder

      44

    • [From paint to painting], typescript carbons with handwritten
      corrections and handwritten version by Anni Albers

      Dates

      undated

      Box

      79

      Folder

      45

    • "Fugue," The Structurist No. 4 Special issue on Art and Music

      Dates

      1964

      Box

      79

      Folder

      46

    • [On glass painting], typescript

      Dates

      1940

      Box

      79

      Folder

      47

    • “Graphic Tectonics (synopsis),” typescript carbons with handwritten
      notes, 1942 and “Tektonische Graphic,” typescript for Cincinnati
      1949 exhibition catalogue

      Dates

      1942, 1949

      Box

      79

      Folder

      48

    • Untitled statement on Walter Gropius, typescripts and typescript
      carbons with handwritten corrections and notes written for
      unfinished book on Gropius by Xanti Schawinsky

      Dates

      circa 1950

      Box

      79

      Folder

      49

    • [Grosse Vorbilder], typescript and typescript carbons

      Dates

      undated

      Box

      79

      Folder

      50

    • [On teaching at Harvard], handwritten

      Dates

      undated

      Box

      79

      Folder

      51

    • “Heroisch,” typescript carbons with handwritten corrections

      Dates

      undated

      Box

      79

      Folder

      52

    • “On my Homage to the Square,” typescripts and photocopies of
      various published translations

      Dates

      circa 1954

      Box

      79

      Folder

      53

    • “Zu Meinen Homage to the Square,” handwritten with drawing

      Dates

      undated

      Box

      79

      Folder

      54

    • [I am a Westphalian from the Ruhr], reprints from
      New Mexico Quarterly

      Dates

      1953

      Box

      80

      Folder

      1

    • [I don’t think], handwritten

      Dates

      undated

      Box

      80

      Folder

      2

    • “I Remember,” handwritten. (Includes notes on Bauhaus and JA’s
      Bauhaus colleagues Klee, Kandinsky, Schlemmer and others;
      Black Mountain College and Richard Lippold, John Rice, John
      Dewey and Albert Barnes; Mexico; Yale; and art works)

      Dates

      undated

      Box

      80

      Folder

      3

    • [Ich glaube, dass sinnvolle formgebung für ein architektonisches],
      photocopy from Spirale 5

      Dates

      1955

      Box

      80

      Folder

      4

    • [Ich sage “perceptuale” Effekte], handwritten and photocopy with
      handwritten corrections

      Dates

      circa 1965

      Box

      80

      Folder

      5

    • “Idea and Spirit,” handwritten

      Dates

      circa 1930s

      Box

      80

      Folder

      6(1)

    • [If history is study of human conduct], handwritten

      Dates

      circa 1945

      Box

      80

      Folder

      6(2)

    • [If we care to listen, we can hear repeatedly] typescript with
      handwritten corrections

      Dates

      undated

      Box

      80

      Folder

      7

    • “Im Spiegel,” handwritten

      Dates

      undated

      Box

      80

      Folder

      8

    • “Re: Imbedded Linear Constructions,” typescript

      Dates

      circa 1971

      Box

      80

      Folder

      9

    • “In a collection of emblems, two visual formulations of the past
      deserve reference,” reprints from Eight Symbols by Norman Ives

      Dates

      1960

      Box

      80

      Folder

      10

    • “In Behalf of Structured Sculpture,” typescript carbons and
      photocopies with handwritten corrections and notes (written for
      Art in America No. 3 1961)

      Dates

      circa 1961

      Box

      80

      Folder

      11

    • [In my painting], handwritten

      Dates

      undated

      Box

      80

      Folder

      12

    • “Indicating Solids-Never Before,” handwritten (with photocopies
      of Tyler Workshop brochure and related statements)

      Dates

      1976

      Box

      80

      Folder

      13

    • “Inheritance/Erbmasse” (Heritage-Inheritance/Erbmasse-
      Massenerbe), handwritten, typescript and typescript carbons

      Dates

      undated

      Box

      80

      Folder

      14

    • “It is always gratifying to see development,” handwritten and typescript

      Dates

      circa 1940

      Box

      80

      Folder

      15

    • [It is an old painter’s rule that landscape], handwritten

      Dates

      undated

      Box

      80

      Folder

      16

    • “It seems that there is still development,” handwritten and typescript

      Dates

      circa 1940

      Box

      80

      Folder

      17

    • [On Kandinsky], photocopy of XXe Siècle Paris 1966 and
      unidentified photocopy

      Dates

      undated

      Box

      80

      Folder

      18

    • “Kausalität (Weltanschauung des Marktes),” handwritten

      Dates

      1937

      Box

      80

      Folder

      19

    • [Keine Zeit ist/Walls and doors/Allen guten Dinge], handwritten

      Dates

      undated

      Box

      80

      Folder

      20

    • “Kommunication,” handwritten

      Dates

      undated

      Box

      80

      Folder

      21

    • “Less Works More/Weniger wirkt mehr,” handwritten and typescript
      photocopies with handwritten notes

      Dates

      undated

      Box

      80

      Folder

      22

    • [Man denkt], handwritten

      Dates

      1938

      Box

      80

      Folder

      23

    • [Man Kämpft für], handwritten

      Dates

      1941

      Box

      80

      Folder

      24

    • “Materialformen,” handwritten with drawings

      Dates

      circa 1930s

      Box

      80

      Folder

      25(1)

    • “Mehr Bauen als Malen,” handwritten

      Dates

      undated

      Box

      80

      Folder

      25(2)

    • “Negro Art,” handwritten

      Dates

      circa 1940

      Box

      80

      Folder

      26

    • [The new art term, “optical painting”], typescript with handwritten
      corrections

      Dates

      circa 1964

      Box

      80

      Folder

      27

    • “Nightingale in the Fog/Nachtigall bei Nebel,” typescript and
      typescript carbons

      Dates

      undated

      Box

      80

      Folder

      28

    • “Not But Yet/Doch wie Nicht,” handwritten, typescript and typescript
      carbons with handwritten corrections

      Dates

      undated

      Box

      80

      Folder

      29

    • “A Note on the Arts in Education,” typescript and clippings from
      The American Magazine of Art, April 1936

      Dates

      1936

      Box

      80

      Folder

      30

    • [Nothing “neo”], handwritten

      Dates

      undated

      Box

      80

      Folder

      31

    • [OK, Amateurs], handwritten statement on teaching

      Dates

      undated

      Box

      80

      Folder

      32

    • “O-O-O,” typescripts

      Dates

      undated

      Box

      80

      Folder

      33

    • [Oftmals denk ich], handwritten, typescript and typescript carbons

      Dates

      1941

      Box

      80

      Folder

      34

    • “On Art,” table of contents from One Quarter Scale, University of
      Cincinnati, March 1953

      Dates

      1953

      Box

      80

      Folder

      35

    • “On My Work” [When I paint and construct], typescripts, typescript
      carbons with handwritten corrections, circa 1959 and reprints of
      Daedalus, Winter 1960

      Dates

      circa 1959, 1960

      Box

      80

      Folder

      36

    • [One can suffocate from knowledge], typescripts
      and typescript carbons

      Dates

      undated

      Box

      80

      Folder

      37

    • [One is walking], handwritten

      Dates

      undated

      Box

      80

      Folder

      38

    • [Only the Goal/Nur das Ziel], handwritten typescripts with
      handwritten corrections

      Dates

      undated

      Box

      80

      Folder

      39

    • “Op Art and/or Perceptual Effects,” typescripts, typescript carbons
      and handwritten photocopy

      Dates

      circa 1965

      Box

      80

      Folder

      40

    • “Op Art and/or Perceptual Effects,” Yale Scientific November 1965
      and reprints with handwritten notes

      Dates

      1965

      Box

      80

      Folder

      41

    • [The origins of art/Der Ursprung der Kunst],
      handwritten, typescript, typescript carbons and photocopies
      with handwritten corrections (includes list of publications)

      Dates

      circa 1940

      Box

      80

      Folder

      42

    • “Owl By Sunlight/Eule bei Sonnenschein,” typescripts and typescript
      carbons with handwritten corrections

      Dates

      undated

      Box

      80

      Folder

      43

    • "Particularly 'White Cross' should speak by itself ...," typescript, circa 1943

      Dates

      Box

      80

      Folder

      43(1)

    • [On perceptual effects], handwritten

      Dates

      undated

      Box

      80

      Folder

      44(1)

    • [The physio-psychological phenomenon of the so-called after-image],
      typescript mimeography

      Dates

      undated

      Box

      80

      Folder

      44(2)

    • “Plato II (For a Dialectician)/Plato II (An einen Dialektiker), handwritten,
      typescript and typescript carbons with handwritten corrections

      Dates

      1936

      Box

      80

      Folder

      45

    • “Plus = Minus / + = -,” typescripts, typescript carbons, typescript
      photocopies with handwritten notes, clipping from Ulmer
      Monatsspiegal
      July 1955 and photocopy of Ord und Bil No 4
      1967 (includes “More or Less”)

      Dates

      1955, 1967, undated

      Box

      80

      Folder

      46

    • “Present and/or Past,” reprints from Design with handwritten
      notes. April, 1946

      Dates

      1946

      Box

      80

      Folder

      47

    • [The ratio of effort to effect is], typescript mimeograph

      Dates

      circa 1950

      Box

      81

      Folder

      1

    • [On the reds in the paintings of the Janis Collection] handwritten
      with corrections (written for 1968 Dorothy Miller catalogue)

      Dates

      1968

      Box

      81

      Folder

      2

    • “Reductio ad absurdum,” typescript carbon and “Structural
      Constellation,” photocopy with handwritten corrections

      Dates

      undated

      Box

      81

      Folder

      3

    • [On religious edifices], handwritten with drawings

      Dates

      undated

      Box

      81

      Folder

      4

    • “Schöne Wirtschaft,” typescript with AA handwritten notes and
      typescript carbon

      Dates

      undated

      Box

      81

      Folder

      5

    • [The search of science], handwritten

      Dates

      undated

      Box

      81

      Folder

      6

    • “Seeing Art/Kunst Sehen,” typescripts, typescript carbons with
      handwritten corrections and photocopies

      Dates

      circa 1952

      Box

      81

      Folder

      7

    • “On Seeing Art,” handwritten and typescript

      Dates

      circa 1940

      Box

      81

      Folder

      8

    • [So far a suspected noun], typescript with handwritten note

      Dates

      1964

      Box

      81

      Folder

      9

    • “The So-Called Artist,” typescript and handwritten

      Dates

      undated

      Box

      81

      Folder

      10

    • [About my Structural Constellations], typescript, typescript carbon
      and handwritten

      Dates

      undated

      Box

      81

      Folder

      11(1)

    • “Structural Sculpture” [(It is more than 40 years], exhibition catalogues
      and photocopies with handwritten notes (Erwin Hauer and
      Robert Engman)

      Dates

      1960, 1966, undated

      Box

      81

      Folder

      11(2)

    • [On structure, facture, texture], photocopy of telegram
      November 26, 1938 [see Box 25 Folder 2]

      Dates

      1938

      Box

      81

      Folder

      12

    • [On talking about art], handwritten

      Dates

      undated

      Box

      81

      Folder

      13

    • “On Taste,” typescript and handwritten

      Dates

      undated

      Box

      81

      Folder

      14

    • [There is no world without a stage/Keine Welt hat Kein Theater],
      typescript and typescript carbon with handwritten corrections

      Dates

      undated

      Box

      81

      Folder

      15

    • [To distribute material possessions/Austeilen materieller Güter],
      handwritten, typescript and typescript photocopies with
      handwritten corrections (includes “Plus=Minus”)

      Dates

      circa 1938

      Box

      81

      Folder

      16

    • [To educate is to adjust the individual to the community],
      handwritten and typescript carbons

      Dates

      circa 1940

      Box

      81

      Folder

      17(1)

    • “To Me (So Far)/Fuer Mich (soweit),” typescripts and typescript
      carbons

      Dates

      circa 1952

      Box

      81

      Folder

      17(2)

    • “To some particular promoters,” handwritten, typescript and
      typescript carbons with handwritten corrections

      Dates

      undated

      Box

      81

      Folder

      18

    • “To Those [Some/The/Their] Creators,” handwritten corrections

      Dates

      undated

      Box

      81

      Folder

      19

    • [Two reduced posters/Zwei verkleinerte Plakate], handwritten
      and photocopies

      Dates

      undated

      Box

      81

      Folder

      20

    • “Unbelievable, But True/Unglaublich, aber Wahr,” typescripts and
      typescript carbons with handwritten notes

      Dates

      undated

      Box

      81

      Folder

      21

    • [On Variants on a Theme], handwritten, typescripts, typescript
      carbons and photocopies with handwritten corrections and notes

      Dates

      circa 1940

      Box

      81

      Folder

      22

    • [Verbal analysis of a graphic presentation], typescript carbons
      with handwritten corrections (regarding Container Corporation
      logo) [see Box OS20 Folder 11(1)]

      Dates

      undated

      Box

      81

      Folder

      23

    • “Verwünschter Wunsch,” handwritten, typescript and typescript
      carbon

      Dates

      undated

      Box

      81

      Folder

      24

    • “A Very Short Story/Schweigend Verstehen,” handwritten, typescript
      and typescript carbons with handwritten corrections and notes
      (includes “To distribute material possessions”)

      Dates

      circa 1945

      Box

      81

      Folder

      25

    • “von Farbe zu Malerei,” handwritten

      Dates

      undated

      Box

      81

      Folder

      26

    • “Vorkurs 1923,” typescript with handwritten corrections

      Dates

      1938

      Box

      81

      Folder

      27

    • [Was ich nicht habe], handwritten

      Dates

      1941

      Box

      81

      Folder

      28

    • “We Construct and Construct/Konstruieren und Konstruieren,”
      handwritten, typescripts and typescript carbons

      Dates

      1943

      Box

      81

      Folder

      29

    • [We had forgotten-but learned again/Wir haben verlernt-aber wieder
      gelernt], handwritten, typescript, typescript carbons and
      photocopies with handwritten corrections and notes

      Dates

      1963

      Box

      81

      Folder

      30

    • “Weltanschauung,” handwritten, typescripts, typescript carbons
      with handwritten notes, translation handwritten by Anni Albers

      Dates

      undated

      Box

      81

      Folder

      31

    • “werklicher formunterricht,” Bauhaus 2/3. Offprints and
      photocopies (with English translation and handwritten excerpt)

      Dates

      1928, undated

      Box

      81

      Folder

      32

    • [What I am aiming at in fundamental design], typescript carbon

      Dates

      undated

      Box

      81

      Folder

      33

    • [What I want to do in my painting] handwritten

      Dates

      undated

      Box

      81

      Folder

      34

    • [When I paint/Wenn ich male], handwritten typescripts, typescript
      carbons with handwritten corrections and photocopies of
      published versions

      Dates

      undated

      Box

      81

      Folder

      35

    • [When our words, wishes, worlds], handwritten

      Dates

      undated

      Box

      81

      Folder

      36

    • “White/In Praise of White,” handwritten and typescript with
      handwritten corrections

      Dates

      undated

      Box

      81

      Folder

      37

    • [On White Line Squares], typescript

      Dates

      undated

      Box

      81

      Folder

      38

    • [With false premises/Mit falschen Prämissen (Swischen den Kulissen)],
      handwritten, typescript and typescript carbons with handwritten
      corrections

      Dates

      undated

      Box

      81

      Folder

      39

    • “Zur Konference/Es gibt,” handwritten, typescripts and typescript
      carbons

      Dates

      undated

      Box

      81

      Folder

      40

    • Untitled statement published in “Contemporary American Painting,”
      catalogue, University of Illinois Urbana, typescript carbons with
      handwritten notes

      Dates

      1952

      Box

      81

      Folder

      41

    • Untitled statement on JA at the Bauhaus, handwritten and
      handwritten photocopy with handwritten corrections

      Dates

      undated

      Box

      81

      Folder

      42

    • Quotations from JA’s writing

      Dates

      undated

      Box

      81

      Folder

      43

    • Miscellaneous writings and notes, handwritten (includes notes on
      typologies of form)

      Dates

      circa 1920–1930s

      Box

      82

      Folder

      1

    • Miscellaneous writings and notes on education handwritten
      (including notes on Black Mountain College)

      Dates

      circa 1940s–1960s

      Box

      82

      Folder

      2

    • Miscellaneous writings and notes, handwritten

      Dates

      circa 1930–1960s

      Box

      82

      Folder

      3

  • Notes on

    • Other artists, architects and writers includes Ed Barnes (anecdote about JA's painting "Legendary Pasture"), Paul Beidler (anecdote about JA as a teacher) Max Beckmann, John Cage, Marcel Duchamp, van Doesburg, Clement Greenberg, Will Grohmann (includes German obituary), Walter Gropius and the Bauhaus (includes clipping on Gropius), Wassily Kandinsky, Paul Klee, Henry Moore, Jackson Pollock, Tut Schlemmer, Frank Lloyd Wright

      Dates

      undated

      Box

      82

      Folder

      4

    • Basic Design

      Dates

      undated

      Box

      82

      Folder

      5

    • Bauhaus

      Dates

      undated

      Box

      82

      Folder

      6(1)

    • Bauhaus Archiv

      Dates

      undated

      Box

      82

      Folder

      6(2)

    • Color and black and white

      Dates

      undated

      Box

      82

      Folder

      7

    • Education

      Dates

      undated

      Box

      82

      Folder

      8

    • Gestalt theories of perception

      Dates

      undated

      Box

      82

      Folder

      9

    • Elliot Kone

      Dates

      undated

      Box

      82

      Folder

      10

    • Movement and color

      Dates

      undated

      Box

      82

      Folder

      11

    • “My Book”

      Dates

      undated

      Box

      82

      Folder

      12

    • Painting and color

      Dates

      undated

      Box

      82

      Folder

      13

    • Poetic creation

      Dates

      undated

      Box

      82

      Folder

      14(1)

    • Repetition

      Dates

      undated

      Box

      82

      Folder

      14(2)

    • Si Sillman and Norman Ives

      Dates

      undated

      Box

      82

      Folder

      15

    • Systemics

      Dates

      undated

      Box

      82

      Folder

      16

    • Quotations by and about Josef Albers

      Dates

      undated

      Box

      82

      Folder

      17

    • Miscellaneous notes from a disassembled folder (includes notes about Black Mountain College)

      Dates

      undated

      Box

      82

      Folder

      18

    • Notes for a speech at opening of JA exhibition at the Metropolitan Museum of Art, New York, November 18 1971 [see IIc. Solo Exhibitions Box 48 Folder 20]

      Dates

      1971

      Box

      82

      Folder

      19

    • Notes on student Elinor Evan’s MFA thesis, “Implications of Some Gestalt Perception in a Group of Contemporary Paintings”

      Dates

      undated

      Box

      82

      Folder

      20

  • Unsorted handwritten notes

    • Notes on work titles and miscellaneous

      Dates

      circa 1945–1975

      Box

      83

      Folder

      1–3

    • Notes (includes photocopies of early JA writings, drafts and published poems, writings on art and artists, diagram for folded paper beard, notes for statement in print portfolio Never Before)

      Dates

      circa 1930s–1970s

      Box

      83

      Folder

      4

    • Notes (includes preparatory work for JA teaching at Harvard, notes on Black Moutain College, note on Japanese art, notes on John Andrew Rice, lists of addresses, notes on press about Black Mountain College, notes on exhibitions, preparatory notes for
      lectures or classes)

      Dates

      circa 1930s–1960s

      Box

      83

      Folder

      5

    • Notes (includes notes on paintings and other artworks, notes on gifts and loans of works, notes on criticism of JA work as “degenerate”, lists of recipients for holiday cards, to do lists, lists for titles, drafts of letters, notes on Bauhaus by Hans Wingler, list of talks and writings from Black Mountain College)

      Dates

      circa 1930s–1970s

      Box

      83

      Folder

      6

    • Notes (includes notes on translations, notes on glass works, notes on text for Interaction of Color and Formulation : Articulation, notes on titles, notes on paintings and prints, invitation to 1947 exhibition of work by Josef Albers in Denton Texas, notes on color circles, notes on Documenta III, notes on Mexican Lithographs, to do lists)

      Dates

      circa 1940s–1970s

      Box

      83

      Folder

      7

    • Notes (includes lists of gifts, to do lists, notes on Paintings, lists of stained glass windows, notes on Bauhaus by Hans Wingler, notes on other artists and institutions, notes on loans and exhibitions)

      Dates

      circa 1950s–1970s

      Box

      83

      Folder

      8

    • Notes (includes notes on paintings and collectors, lists of recipients for holiday cards, lists of addresses, notes on prints, lists of titles, notes about László Moholy-Nagy)

      Dates

      circa 1940s–1970s

      Box

      83

      Folder

      9

    • Notes on Anni Albers (two items: Paul Klee reproduction, and sheet of paper with “Anni Albers” written on it)

      Dates

      undated

      Box

      83

      Folder

      10

    • Puzzles and Games (mostly press clippings)

      Dates

      circa 1950s–1970s

      Box

      83

      Folder

      11

    • Blank Paper

      Dates

      undated

      Box

      83

      Folder

      12

  • Writings by others on Josef Albers

    • Acha, Juan “Josef Albers: Homage to the Square,” for Cultura
      Peruana
      October-December, 1964

      Dates

      1964

      Box

      85

      Folder

      1

    • Albrecht, Hans Joachim “Josef Albers: Homage to the Square,” for
      Kaiser Wilhelm Museum, April 1971 Krefeld exhibition catalogue

      Dates

      1971

      Box

      85

      Folder

      2

    • Arp, Hans/Jean “Josef Albers,” (English translation by Anni Albers) (includes 2 copies of der technische akademiker nos. 7 and 8, 1958, in which Arp’s poem is published, as well as an illustration of a Structural Constellation and an accompanying article “Test auf Vorurteile” by “Ro” probably the journal’s editor Bruno Rothschuh)

      Dates

      1957

      Box

      85

      Folder

      4(1)

    • Baljeau, Joost “The Hegelian Romantic Negation in Modern
      Plastic Art”

      Dates

      undated

      Box

      85

      Folder

      4(2)

    • Barnstone, Willis “For Josef Albers” (on the occasion of JA’s
      Yale University retirement)

      Dates

      1958

      Box

      85

      Folder

      5

    • Beckmann, Hannes “Formative Years”

      Dates

      undated

      Box

      85

      Folder

      6

    • Boyden, Katrina “The Background of the Bauhaus and the Word of Josef Albers,” Senior thesis Bennington College, June

      Dates

      1952

      Box

      85

      Folder

      7

    • Chanes, Rafael “Ode to the Square”

      Dates

      1964

      Box

      85

      Folder

      8

    • Charlot, Jean “Nature and the Art of Josef Albers,” reprint from College Art Journal, Spring 1956

      Dates

      1956

      Box

      85

      Folder

      9(1)

    • Clay, Jean “Albers: Three Stages of Logic,” typescript incomplete, typescript photocopy and photocopy of article in Rhobo Spring 1958

      Dates

      1958

      Box

      85

      Folder

      9(2)

    • Conant, Howard “The Pursuit of Excellence: An Address delivered by Professor Howard Conant Chairman, Department of Art Education, New York University, to the National Committee on Art Education at the Museum of Modern Art on 2 May 1963” (includes letter from Conant to JA, November 15 1963)

      Dates

      1963

      Box

      85

      Folder

      10(1)

    • Crespo de la Serna, Jorge Juan “Josef Albers y lo Abstracto en la Arte”

      Dates

      circa 1934

      Box

      85

      Folder

      10(2)

    • Culley, John H. Untitled, August 14, 1938, for catalogue of exhibition “Josef Albers” at the Artists Gallery,New York, December 6–31, 1938 (see Box 45 Folder 8)

      Dates

      1938

      Box

      85

      Folder

      11(1)

    • Degand, Léon “Albers,” from Aujour d’hui No. 15

      Dates

      1958

      Box

      85

      Folder

      11(2)

    • Diament de Sujo, Clara “Josef Albers” May 1966. Spanish with English translation by Bonnie Lee Thompson

      Dates

      1966

      Box

      85

      Folder

      12

    • Dörner, Alexander Untitled, February

      Dates

      1942

      Box

      85

      Folder

      13

    • Duault, Alain “Albers” (à Ernest Beyeler) May 5, 73

      Dates

      1973

      Box

      85

      Folder

      14

    • Farrell, Nancy “Prismatic II,” (verbessert bei Frau Moellenhoff) A short appreciation of a painting by Josef Albers written in German. Farrell was a student at BMC ca. 1935–37. Anno Moellenhoff was a faculty member.

      Dates

      1937

      Box

      85

      Folder

      15(1)

    • Folds, Thomas. Untitled January 6, 1952

      Dates

      1952

      Box

      85

      Folder

      15(2)

    • Fuller, Buckminster “Josef Albers 1888–1976”

      Dates

      1978

      Box

      85

      Folder

      16

    • Gerstner, Karl “Aphorismen zu 80 Jahre Albers,” October 27, 1967

      Dates

      1967

      Box

      85

      Folder

      17(1)

    • Golden, Fred. Untitled (includes JA handwritten note)

      Dates

      undated

      Box

      85

      Folder

      17(2)

    • Graham (possibly John), Untitled, for catalogue of exhibition “Josef Albers” at the Artists Gallery, New York, December 6–31, 1938 (see Box 45 Folder 8)

      Dates

      1938

      Box

      85

      Folder

      18

    • Greene, Balcomb. Untitled, for catalogue of exhibition “Josef Albers” at the Artists Gallery, New York, December 6–31, 1938 (see Box 45 Folder 8)

      Dates

      1938

      Box

      85

      Folder

      19

    • Grohmann, Will. Various

      Dates

      1957–1965, undated

      Box

      85

      Folder

      20(1)

    • Hildebrandt, Hans “Josef Albers”

      Dates

      undated

      Box

      85

      Folder

      20(2)

    • Huffner, Fritz C. Various. (includes notes by JA)

      Dates

      1957–1971, undated

      Box

      85

      Folder

      21(1)

    • Imdahl, Max “On Josef Albers’s Structural Constellations"

      Dates

      undated

      Box

      85

      Folder

      21(2)

    • Jaffé, Hans “Josef Albers: Studie voor “homage to the square: blue depth,” Gemeente-museum den Haag

      Dates

      undated

      Box

      85

      Folder

      22(1)

    • Hess, Thomas B., "Homage to Albers," for March–April 1973 Galerie Beyeler, Basel

      Dates

      1973

      Box

      85

      Folder

      22(2)

    • Le Ricolais, Robert “Bertrachtungen über die Graphiken von Josef Albers“ for Art International March 20 1968

      Dates

      1968

      Box

      85

      Folder

      23

    • Lord, James “Josef Albers: The Exercise of Integrity”

      Dates

      undated

      Box

      85

      Folder

      24

    • Mérida, Carlos. Untitled, for catalogue of exhibition “Josef Albers” at the Artists Gallery, New York, December 6–31, 1938 (see Box 45 Folder 8)

      Dates

      1938

      Box

      85

      Folder

      25

    • Morris, George L.K. Untitled, for catalogue of exhibition “Josef Albers” at the Artists Gallery, New York, December 6–31, 1938 (see Box 45 Folder 8)

      Dates

      1938

      Box

      85

      Folder

      26(1)

    • Mokry, Uvod 1928 lecture on Bauhaus and JA (includes photocopy of original lecture and transcript translation with 1968 letter from translator, Zdenka Pospisil)

      Dates

      1928, 1968

      Box

      85

      Folder

      26(2)

    • Nakahara, Yusuke “Homage to the Square: Albers and Abstract Art,” from Sekai, September 1964

      Dates

      1964

      Box

      85

      Folder

      27

    • Nilson, Karl-Gustaf “Josef Albers: Interaction of Color"

      Dates

      1966

      Box

      86

      Folder

      1–2

    • Rogo, Elsa. Untitled, for catalogue of exhibition “Josef Albers” at the Artists Gallery,New York, December 6–31, 1938 (see Box 45 Folder 8)

      Dates

      1938

      Box

      86

      Folder

      3

    • Aline B. Saarinen Quote from New York Times October 31, 1954

      Dates

      1954

      Box

      86

      Folder

      4

    • Schmied, Wieland

      “Josef Albers,” for Neue Zürcher Zeitung

      Dates

      1972

      Box

      86

      Folder

      5

    • Schmied, Wieland

      “Fifteen Statements for Josef Albers”

      Dates

      undated

      Box

      86

      Folder

      6

    • Schmied, Wieland

      “Experiences with Josef Albers”

      Dates

      undated

      Box

      86

      Folder

      7

    • Schmied, Wieland

      “Homage to Josef Albers,” for Kerstner-Gessellschaft, Hannover May–June 1968

      Dates

      1968

      Box

      86

      Folder

      8

    • Von Eckardt, Wolf “What the Bauhaus Taught: Obsolete or Viable” for Horizon, November 1961. Typescript.

      Dates

      1961

      Box

      86

      Folder

      9

    • Unidentified Introduction for JA lecture at Virginia Museum of Fine Art November 21 1966

      Dates

      1966

      Box

      86

      Folder

      10

    • Unidentified “The Square Affair”

      Dates

      undated

      Box

      86

      Folder

      11(1)

    • Unidentified “Reflections on the Graphisms of Josef Albers”

      Dates

      1967

      Box

      86

      Folder

      11(2)

    • Unidentified

      Dates

      undated

      Box

      86

      Folder

      12

    • Notes on Ed Barnes, Paul Beidler and “PM”s words on JA

      Dates

      undated

      Box

      86

      Folder

      13

    • Huffner, Fritz C. German Translation of JA's Search vs. Research (incomplete)

      Dates

      1970

      Box

      85

      Folder

      21(1)(a)

  • Writings by other on Josef Albers

    • Apollonio, Umbro “Albers,” for Graphic Tectonics (German translation by Elisabeth Navarini)

      Dates

      undated

      Box

      85

      Folder

      3

  • Writings not on Josef Albers by others

    • Benne, Kenneth. “Intelligence as an Aim of Art Education”

      Dates

      undated

      Box

      86

      Folder

      14

    • Cage, John. “Forerunners of Modern Music”

      Dates

      undated

      Box

      86

      Folder

      15

    • Dreier, Katherine. Untitled

      Dates

      undated

      Box

      86

      Folder

      16

    • Dwight, Edward. Untitled

      Dates

      undated

      Box

      86

      Folder

      17

    • Gropius, Walter “Speech delivered at the Harvard Club of Boston at the Alumni Dinner for Walter Gropius’s 75th Birthday,” May 24

      Dates

      1958

      Box

      86

      Folder

      18(1)

    • von Herrmann, Rolf-Dieter "Uber das Gesellschaftliche sein des Kunstlers."

      Dates

      1968

      Box

      86

      Folder

      18(2)

    • Lippold, Richard. “On the Appropriateness of Materials”

      Dates

      undated

      Box

      86

      Folder

      19

    • Lippold, Richard. Untitled writings

      Dates

      1947–1948

      Box

      86

      Folder

      20

    • Matisse, Henri. Untitled letter to Henry Clifford February 13 1948, (published in Perspecta 4, 1957)

      Dates

      1948

      Box

      86

      Folder

      21

    • Mayer, Ralph. “The Newer Paint Materials and a Report on Art”

      Dates

      1968

      Box

      86

      Folder

      22

    • Meyer, Hannes. “Creative Education” (includes handwritten JA note)

      Dates

      undated

      Box

      86

      Folder

      23

    • Prager, Oscar. “Betrachtungen zur Asthetik der Gartenkunst”

      Dates

      1959

      Box

      86

      Folder

      24

    • Rebay, Hilla. “New Age”

      Dates

      1949

      Box

      86

      Folder

      25

    • Ringel, Fred. “America Seen by Americans”

      Dates

      1932

      Box

      86

      Folder

      26

    • Wagner, Martin. “The Build of the Builders”

      Dates

      undated

      Box

      86

      Folder

      28

    • Quotations by others

      Dates

      undated

      Box

      86

      Folder

      28

    • Breuer, Martha. “Revision of the Genus Rhynchosciara Rübsaamen (Diptera, Sciardae) in the Neotropical Region”

      Dates

      1969

      Box

      118

      Folder

      14